Released on 2020-10-23Categories Fiction

A Savage Presence

A Savage Presence

Author: WL Knightly

Publisher: BrixBaxter Publishing

ISBN:

Category: Fiction

Page:

View: 355

Now that Connor Cohen is dead, Silas Cohen is free to live the life he wants. But there are still two men in the way. When Enzo Juarez tries to make a new deal with Fiona, her good intentions get the best of her and she unexpectedly puts Silas in danger. Can Alex’s connections save them this time? All bets are off when it’s every man for themselves in this series’ finale.
Released on 2012-10-01Categories Nature

Gunfight at the Eco-Corral

Gunfight at the Eco-Corral

Author: Robin L. Murray

Publisher: University of Oklahoma Press

ISBN: 9780806187396

Category: Nature

Page: 272

View: 788

Most film critics point to classic conflicts—good versus evil, right versus wrong, civilization versus savagery—as defining themes of the American Western. In this provocative examination of Westerns from Tumbleweeds (1925) to Rango (2011), Robin L. Murray and Joseph K. Heumann argue for a more expansive view that moves beyond traditional conflicts to encompass environmental themes and struggles. The environment, after all, is the fundamental stage for most western stories, from land rush dramas that pit “sod busters” against ranchers to conflicts between mining-town communities and corporations. Because environmental issues lie at the forefront of so many conflicts today, Murray and Heumann believe that the Western is ripe for such new examination. Drawing on perspectives from both film studies and environmental history, the authors show how western films frequently deal with issues related to land use and different ways of looking at the natural world. In films as diverse as Gene Autry musicals, early John Wayne B-Westerns, and revisionist critiques such as the 2010 remake of True Grit, resources are exploited in the name of progress. Beginning with an analysis of two iconic Westerns, Shane and The Searchers, Murray and Heumann identify the environmental dichotomies—previously overlooked by critics—that are broached in both films, and they clarify the history that lies behind the environmental debates in these films and many others. How do Westerns respond to the historical contexts they present? And what do those responses suggest about American views of nature and its exploitation? The conflicts these movies address grow out of differing views of progress, frequently in relation to technology. The authors show that such binary oppositions tend to blur when examined closely, demonstrating that environmental issues are often more complex than we realize.