The way I look at it is this...When you're behind the line and get yourself into trouble, you've got to get your bloody self out irrespective of anybody else. That's why I like it.' Scottish-born but a Queenslander to the bone, Jock McLaren was a true Australian hero. As a prisoner he escaped twice, first from Changi and later from the infamous Sandakan POW camp in Borneo. After paddling a dugout canoe across open sea, he fought for two years with American-led Filipino guerrillas, his exploits so audacious the Japanese put a price on his head. At the helm of his 26-foot whaleboat, the Bastard, McLaren sailed brazenly into enemy-held harbours, wreaking havoc with his mortar and machine guns before heading back out to sea. In early 1945 he joined Australia's secretive Z Special Unit, parachuting into Borneo to carry out reconnaissance and organise anti-Japanese resistance ahead of Allied landings. He cheated death on numerous occasions and saved his own life by removing his appendix without anaesthetic, using 'two large dessert spoons' and a razor blade. Drawing on Allied and Japanese wartime documents, Bastard Behind the Lines brings the story of a courageous digger vividly to life and throws light on a rarely explored aspect of Australia's Pacific war.
The follow-up to And No Birds Sang, Farley Mowat’s memoir My Father’s Son charts the course of a family relationship in the midst of extreme trial. Taking place during Mowat’s years in the Italian Campaign, the memoir is mostly told through original letters between Mowat and his mother, Helen, and his father, Angus, a World War I veteran and librarian. Written between 1943 and 1945, the correspondence depicts the coming of age of a young writer in the midst of war, and presents a sensitive and thoughtful reflection of the chaos and occasional comedy of wartime. First published in 1992, Douglas & McIntyre is pleased to add My Father’s Son to the Farley Mowat Library series, which includes the other recently re-released titles Sea of Slaughter, People of the Deer, A Whale for the Killing, And No Birds Sang, Born Naked and The Snow Walker.
Behind the Lines is W. E. B. Griffin's powerful novel of World War II -- and the courage, patriotism, and sacrifice of those who fought it. By 1942, the Japanese have routed the outnumbered American forces and conquered the Philippines. But deep in the island jungles, the combat continues. Refusing to surrender, a renegade Army officer organizes a resistance force and vows to fight to the last man. A Marine leads his team on a mission through the heart of enemy territory. And the nation's proudest sons fight uncelebrated battles that will win -- or lose -- the war . . .
This set includes all four books of the Heroines Behind the Lines Series: Wedded to War, Widow of Gettysburg, Yankee in Atlanta, and Spy of Richmond. The Heroines Behind the Lines Series highlights the crucial contributions made by women during the Civil War. In Wedded to War, Charlotte chooses a life of service over privilege, just as her childhood friend had done when he became a military doctor. She soon discovers that she’s combatting more than just the rebellion by becoming a nurse. Will the two men who love her simply stand by and watch as she fights her own battles? Or will their desire for her wage war on her desire to serve God? In Widow of Gettysburg, the farm of Union widow Liberty Holloway is disfigured into a Confederate field hospital, bringing her face to face with unspeakable suffering—and a Confederate scout who awakens her long dormant heart. Will Liberty be defined by the tragedy in her life, or will she find a way to triumph over it? In Yankee in Atlanta, soldier Caitlin McKae wakes up in Atlanta after being wounded in battle. The Georgian doctor who treated her believed Caitlin's only secret was that she had been fighting for the Confederacy disguised as a man. To avoid arrest or worse, Caitlin hides her true identity and makes a new life for herself in Atlanta. When Sherman’s troops edge closer to Atlanta, Caitlin tries to escape north, but is arrested on charges of being a spy. Will honor dictate that Caitlin follow the rules, or love demand that she break them? In Spy of Richmond, Union loyalist Sophie Kent attempts to end the war from within the Confederate capital, but she can’t do it alone. As Sophie’s spy network grows, she walks a tightrope of deception, using her father’s position as newspaper editor and a suitor’s position in the ordnance bureau. When her espionage endangers the people she loves, she's forced to make a life-and-death gamble.
Dirty, gritty and action-packed adventure featuring the galaxy's deadliest mercenaries, THE BASTARD LEGION MILITARY SCIENCE FICTION AT ITS BEST. 'High octane SF adventure with Smith's trademark twist' Jamie Sawyer, author of The Lazarus War It was the kind of dirty, violent work the Bastards were made for. Protect a bunch of colonists in the Epsilon Eridani system, whose moon had become a war zone as megacorp-backed mercenaries fought a brutal proxy war. Just the kind of fight the penal mercenary legion liked. But a hundred headless corpses are hard to explain, even for the Bastard Legion, and soon they are on the run, abandoned by their allies, and hunted by their most dangerous foe yet . . . but Miska's going to play them at her own game. The Bastard Legion: the galaxy's most dangerous criminals controlled by implanted explosives and trained by the electronic ghost of a dead marine. 'Gloriously action-packed and often brutal military SF adventure . . .' Publishers Weekly 'An exceptional talent' Peter F Hamilton A 'Dirty Dozen' or 'Suicide Squad' for lovers of 'Aliens', THE BASTARD LEGION series is a down and dirty military SF set in a world of mercenary actions and covert operations.
The fighting had ended but for Sandakan's most notorious prisoner the war was not over. 'That bastard's still alive? I'm going to kill him with my bare hands.' POW Bill Moxham At the Australian war crimes trials that followed World War II, one prosecution witness stood out: Warrant Officer Bill Sticpewich. During his three years in the infamous Sandakan POW camp, Sticpewich had seen hundreds of fellow prisoners die of starvation, sickness and overwork. Others were shot or bayoneted to death by Japanese guards on forced marches through the Borneo jungle. Of more than 2400 Allied prisoners at Sandakan at the start of 1945, only six survived. It was Sticpewich's meticulous evidence that sent Sandakan's commandant and his murderous henchmen to the gallows. But to his fellow prisoners Sticpewich was not a war hero, he was a collaborator who avoided heavy labour and obtained extra rations by ingratiating himself with the Japanese. Was Sticpewich a traitor or a man who did what he needed to stay alive? Drawing on wartime records, original interviews and the recollections of other survivors, The Witness reveals the compelling story of Australia's most notorious POW.
What is the Blood Red Sphere? Hamilton Helios, cactus juice addict, PTSD survivor and scavenger doesn't know, but everyone else on Mars seems to think he does. Why are Earth's central government, the break-away barons of the Oort Cloud, the native Martians, and more than a few sadistic criminals willing to kill for a nondescript sphere of red lacquer? Helios wishes he knew. Whatever the reason, secret agents, psychopathic religious fanatics, law enforcement officials, and wild Martians are all on his tail. To make matters worse, his business partner has been murdered, and Helios himself is under suspicion. Will Hamilton Helios learn the secret of the Blood Red Sphere before it plunges all of Mars, if not the whole solar system, into war? Or will he, like so many others before him, die for that secret?
Poul Anderson was one of the seminal figures of 20th century science fiction. Named a Grand Master by the SFWA in 1997, he produced an enormous body of stand-alone novels (Brain Wave, Tau Zero) and series fiction (Time Patrol, the Dominic Flandry books) and was equally at home in the fields of heroic fantasy and hard SF. He was a meticulous craftsman and a gifted storyteller, and the impact of his finest work continues, undiminished, to this day. Here is a rousing, all-original anthology that stands both as a significant achievement in its own right and a heartfelt tribute to a remarkable writerand equally remarkable man. A nicely balanced mixture of fiction and reminiscence, this volume contains thirteen stories and novellas by some of today's finest writers, along with moving reflections by, among others, Anderson's wife, Karen, his daughter, Astrid Anderson Bear, and his son-in-law, novelist and co-editor Greg Bear. (Bear's introduction, "My Friend Poul," is particularly illuminating and insightful.) The fictional contributions comprise a kaleidoscopic array of imaginative responses to Anderson's many and varied fictional worlds. A few of the highlights include Nancy Kress's "Outmoded Things" and Terry Brooks' "The Fey of Cloudmoor," stories inspired by the Hugo Award-winning "The Queen of Air and Darkness"; a pair of truly wonderful Time Patrol stories ("A Slip in Time" by S. M. Stirling and "Christmas in Gondwanaland" by Robert Silverberg); Raymond E. Feist's Dominic Flandry adventure, "A Candle"; and a pair of very different homages to the classic fantasy novel,_Three Hearts and Three Lions: "The Man Who Came Late" by Harry Turtledove and "Three Lilies and Three Leopards (And a Participation Ribbon in Science)" by Tad Williams. These stories, together with singular contributions by such significant figures as Larry Niven, Gregory Benford, and Eric Flint, add up to a memorable, highly personal anthology that lives up to the standards set by the late¾and indisputably great¾Poul Anderson. At the publisher's request, this title is sold without DRM (Digital Rights Management).
Between the Lines of Men is a work of fiction following Don Freemont, a young psychologist in the 1950s who is obsessed with leaving behind an academic legacy. Don is one of the heads of a project sanctioned by the US government in which chemicals such as LSD are tested as weapons of war. When one of Don's subjects commits suicide, Don begins to feel guilty. With his future and legacy in mind, Don ends up becoming his own guinea pig which results in a hellish vision. His ego still clinging to life, Don sets out with intentions of forging a new legacy.
The First Nations who have lived in the Great Lakes watershed have been strongly influenced by the imposition of colonial and national boundaries there. The essays in Lines Drawn upon the Water examine the impact of the Canadian—American border on communities, with reference to national efforts to enforce the boundary and the determination of local groups to pursue their interests and define themselves. Although both governments regard the border as clearly defined, local communities continue to contest the artificial divisions imposed by the international boundary and define spatial and human relationships in the borderlands in their own terms. The debate is often cast in terms of Canada’s failure to recognize the 1794 Jay Treaty’s confirmation of Native rights to transport goods into Canada, but ultimately the issue concerns the larger struggle of First Nations to force recognition of their people’s rights to move freely across the border in search of economic and social independence.
