For the past four and half years, the veteran foreign correspondent for the "Washington Post" has traveled through South Asia following religious conflicts, political crises, and natural disasters. She documents her search for signs of humanity and dignity in societies rife with violence, poverty, prejudice and greed. Photos. Maps.
Margaret Atwood is one of the most significant writers working today. Her writing spans seven decades, is phenomenally diverse and ambitious, and has amassed an enormous body of literary criticism. In this invaluable guide, Fiona Tolan provides a clear and comprehensive overview of evolving critical approaches to Atwood's work. Addressing all of the author's key texts, the book deftly guides the reader through the most characteristic, influential, and insightful critical readings of the last fifty years. It highlights recurring themes in Atwood's work, such as gender, feminism, power and violence, fairy tale and the gothic, environmental destruction, and dystopian futures. This is an indispensable companion for anyone interested in reading and writing about Margaret Atwood.
This collection addresses the substance of Richard Hooker's achievement as a theologian and philosopher in the context of principal themes of English Reformation thought. Five principal loci of Reformation discourse are addressed: the relation between the "orders" of Grace and Nature; the doctrines of Providence and Predestination; the Church and the liturgy; sacramental theology; and the polemical cut-and-thrust of the late-Elizabethan context. It is of interest to scholars, seminarians, and students.
The second volume in this series brings together some of the best new writing from contemporary American playwrights. Each play is introduced by critically acclaimed writers themselves. THE EDGE OF OUR BODIES by Adam Rapp, Introduced by AM Homes, follows a teenage girl Bernadette who has to grow up quickly when she discovers she is pregnant. THE COWARD by Nick Jones, introduced by Marsha Norman, is an absurdist comedy set in 18th century England. Lucidus initiates a pistol duel, but when he finds he'll have to fight the son of the man he challenged, he doesn't want to go through with it. His plot to avoid the duel creates more trouble. THE BOOK OF GRACE by Suzan-Lori Parks, introduced by Oskar Eustis, portrays a dysfunctional American family, where anger and mistrust are symptoms of historical abuse. WHAT ONCE WE FELT by Ann Marie Healy, introduced by Paula Vogel, is set in a mysterious parallel universe, where Macy is the last ever author to be published in print, the system has an underclass named the Tradepack, and a woman can only have a baby if she possesses the right kind of 'scan card'.
Explores Black women writers’ treatment of the ancestor figure. The Grasp That Reaches beyond the Grave investigates the treatment of the ancestor figure in Toni Cade Bambara’s The Salt Eaters, Paule Marshall’s Praisesong for the Widow, Phyllis Alesia Perry’s Stigmata and A Sunday in June, Toni Morrison’s Beloved, Tananarive Due’s The Between, and Julie Dash’s film, Daughters of the Dust in order to understand how they draw on African cosmology and the interrelationship of ancestors, elders, and children to promote healing within the African American community. Venetria K. Patton suggests that the experience of slavery with its concomitant view of black women as “natally dead” has impacted African American women writers’ emphasis on elders and ancestors as they seek means to counteract notions of black women as somehow disconnected from the progeny of their wombs. This misperception is in part addressed via a rich kinship system, which includes the living and the dead. Patton notes an uncanny connection between depictions of elder, ancestor, and child figures in these texts and Kongo cosmology. These references suggest that these works are examples of Africanisms or African retentions, which continue to impact African American culture. Venetria K. Patton is Associate Professor of English and Director of the African American Studies and Research Center at Purdue University. She is the author of Women in Chains: The Legacy of Slavery in Black Women’s Fiction, also published by SUNY Press, and coeditor (with Maureen Honey) of Double-Take: A Revisionist Harlem Renaissance Anthology.
When Paul and Silas were in prison in Philippi, they burst into singing. Paul looked at life with a joyful song. He found delight when believers lived in harmony. The theme of this Bible study is Pauls Life-Song. Hear his song in the letter he wrote to Philippi, even while in another prison. Some strains explode with joy, while other stanzas carry a minor melody to encourage or warn the people he loved. Study his messages and learn how to apply Pauls attitudes regardless of his circumstances. This Bible study is rich with insights into the Hebrew and Greek and covers themes Paul brings from the Old Testament or other New Testament teachings. Dive deeper into those themes by taking important excursions into the background of the topics. This in-depth verse-by-verse investigation is valuable for individuals or groups. Enjoy the commentary while completing the workbook and applying the messages to everyday situations. Determine your timeframe for the study as you discover what the Lord Jesus wants to do in your life through Paul. Ive had the privilege of knowing Sharon Gresham as a teacher/speaker for many years and now as a writer. Her commitment to in-depth study and application of the Bible is refreshing. The Philippians study equips the pastor/teacher with a resource much needed in the church today. I am excited to teach this study both in our church and as we minister internationally. Darrel Auvenshine, pastor of Southside City Church, Fort Worth, Texas With a gift for accurately communicating Gods Word in a relevant and personal way, Sharon Greshams in-depth study of Philippians will delight and thrill any serious student of the Scriptures. I highly recommend it! Scott Whitson, director of missions, Southwest Metroplex Baptist Association and former missionary to Tanzania
