Released on 2009-11-12Categories Literary Criticism

Mock-Epic Poetry from Pope to Heine

Mock-Epic Poetry from Pope to Heine

Author: Ritchie Robertson

Publisher: OUP Oxford

ISBN: 9780191610141

Category: Literary Criticism

Page: 464

View: 664

This is a study of mock-epic poetry in English, French, and German from the 1720s to the 1840s. While mock-heroic poetry is a parodistic counterpart to serious epic, mock-epic poetry starts by parodying epic but moves on to much wider and richer literary explorations; it relies heavily on intertextual allusion to other works, on narratorial irony, on the sympathetic and sometimes libertine presentation of sexual relatons, and on a range of satirical devices. It includes well-known texts (Pope's Dunciad, Byron's Don Juan, Heine's Atta Troll) and others which are little known (Ratschky's Melchior Striregel, Parny's La Guerre des Dieux). It owes a marked debt to Italian romance epic (especially Ariosto). The study places these texts in the literary context of the decline of serious epic, which helped mock epic to flourish, and of the 'Querelle des Anciens et des Modernes' which questioned the authority of Homer's and Virgil's epics; and it relates their substance to contemporary debates about questions of religion and gender.
Released on 2009-01-01Categories Literary Criticism

Heine's Poems

Heine's Poems

Author: Heinrich Heine

Publisher: Cosimo, Inc.

ISBN: 9781605205076

Category: Literary Criticism

Page: 316

View: 911

This authoritative 1906 collection of 163 poems-in the original German-remains an excellent representation, more than a century later, of the lyrical verse of the popular 19th-century German romantic poet CHRISTIAN JOHANN HEINRICH HEINE (1797-1856). With many of Heine's poems set to music by such composers as Robert Schumann, Franz Schubert, Felix Mendelssohn, Johannes Brahms, and Richard Wagner, it is chiefly as a lyricist that he is remembered today. This volume-hard to find in print and complete with the original, comprehensive introduction and notes, in English, by American scholar of German CARL EDGAR EGGERT (b. 1868)-is a valuable resource for music lovers and poetry fans alike.
Released on 2013-11-07Categories Literary Criticism

The Jewish Reception of Heinrich Heine

The Jewish Reception of Heinrich Heine

Author: Mark H. Gelber

Publisher: Walter de Gruyter

ISBN: 9783110921083

Category: Literary Criticism

Page: 242

View: 754

This volume contains the lectures, many substantially expanded and revised, which were delivered at an international conference held at Ben-Gurion University in Beersheva in 1990. By utilizing the methodological guidelines and insights of reception aesthetics, a range of Jewish readings of Heine's works and his complex literary personality are analyzed. Considerations of his impact on major figures, like Sigmund Freud, Karl Marx, Theodor Herzl, Max Nordau, Karl Kraus, Else Lasker-Schüler, Lion Feuchtwanger, and Max Brod comprise the major part of the book. In addition, there are readings of Heine by minor or neglected Jewish writers and poets, including, for example, Aron Bernstein and Fritz Heymann, and by Jewish writers in Hebrew and Yiddish literature, as well as by Jewish readers within other national readerships, for example, the American and Croatian. In the process of this analysis, the notion of Jewish reception itself is naturally subjected to critical scrutiny.
Released on 2007-03-01Categories Literary Criticism

Reading Heinrich Heine

Reading Heinrich Heine

Author: Anthony Phelan

Publisher: Cambridge University Press

ISBN: 9781139460705

Category: Literary Criticism

Page:

View: 720

Originally created in 2007, this is a comprehensive study of the nineteenth-century German poet Heinrich Heine. Anthony Phelan examines the complete range of Heine's work, from the early poetry and 'Pictures of Travel' to the last poems, including personal polemic and journalism. Phelan provides original and detailed readings of Heine's major poetry and throws fresh light on his virtuoso political performances that have too often been neglected by critics. Through his critical relationship with Romanticism, Heine confronted the problem of modernity in startlingly original ways that still speak to the concerns of post-modern readers. Phelan highlights the importance of Heine for the critical understanding of modern literature, and in particular the responses to Heine's work by Adorno, Kraus and Benjamin. Heine emerges as a figure of immense European significance, whose writings need to be seen as a major contribution to the articulation of modernity.
Released on 2017-12-02Categories Literary Criticism

Heine Und Die Weltliteratur

Heine Und Die Weltliteratur

Author: T. J. Reed

Publisher: Routledge

ISBN: 9781351198851

Category: Literary Criticism

Page: 240

View: 558

"The 1997 London Heine Conference brought together leading scholars and critics from Austria, Britain and Germany. The essays collected in this volume offer a broad canvas of Heine's themes and techniques, his debts and his influence, the ancient and modern connections of his work, its epic and lyrical forms, together with materials and comparisons drawn from English, German, Russian, Jewish and Islamic sources, and the musical settings of his poems. The collection complements recent scholarship, much of which has explored Heine's theoretical and other prose works, by paying close attention once more to the inexhaustible riches of his poetry."
Released on 2002Categories Literary Criticism

A Companion to the Works of Heinrich Heine

A Companion to the Works of Heinrich Heine

Author: Roger F. Cook

Publisher: Camden House

ISBN: 1571132074

Category: Literary Criticism

Page: 404

View: 803

As the most prominent German-Jewish Romantic writer, Heinrich Heine (1797-1856) became a focal point for much of the tension generated by the Jewish assimilation to German culture in a time marked by a growing emphasis on the shared ancestry of the German Volk. As both an ingenious composer of Romantic verse and the originator of modernist German prose, he defied nationalist-Romantic concepts of creative genius that grounded German greatness in an idealist tradition of Dichter und Denker. And as a brash, often reckless champion of freedom and social justice, he challenged not only the reactionary ruling powers of Restoration Germany but also the incipient nationalist ideology that would have fateful consequences for the new Germany--consequences he often portended with a prophetic vision born of his own experience. Reaching to the heart of the `German question,' the controversies surrounding Heine have been as intense since his death as they were in his own lifetime, often serving as an acid test for important questions of national and social consciousness. This new volume of essays by scholars from Germany, Britain, Canada, and the United States offers new critical insights on key recurring issues in his work: the symbiosis of German and Jewish culture; emerging nationalism among the European peoples; critical views of Romanticism and modern philosophy; European culture on the threshold to modernity; irony, wit, and self-critique as requisite elements of a modern aesthetic; changing views on teleology and the dialectics of history; and final thoughts and reconsiderations from his last, prolonged years in a sickbed. Contributors: Michael Perraudin, Paul Peters, Roger F. Cook, Willi Goetschel, Gerhard Höhn, Paul Reitter, Robert C. Holub, Jeffrey Grossman, Anthony Phelan, Joseph A. Kruse, and George F. Peters. Roger F. Cook is professor of German at the University of Missouri, Columbia.
Released on 2019-02-21Categories Philosophy

Heine and Critical Theory

Heine and Critical Theory

Author: Willi Goetschel

Publisher: Bloomsbury Publishing

ISBN: 9781350087262

Category: Philosophy

Page: 328

View: 361

Heinrich Heine's role in the formation of Critical Theory has been systematically overlooked in the course of the successful appropriation of his thought by Marx, Nietzsche, Freud, and the legacy they left, in particular for Adorno, Benjamin and the Frankfurt School. This book examines the critical connections that led Adorno to call for a “reappraisal” of Heine in a 1948 essay that, published posthumously, remains under-examined. Tracing Heine's Jewish difference and its liberating comedy of irreverence in the thought of the Frankfurt School, the book situates the project of Critical Theory in the tradition of a praxis of critique, which Heine elevates to the art of public controversy. Heine's bold linking of aesthetics and political concerns anticipates the critical paradigm assumed by Benjamin and Adorno. Reading Critical Theory with Heine recovers a forgotten voice that has theoretically critical significance for the formation of the Frankfurt School. With Heine, the project of Critical Theory can be understood as the sustained effort to advance the emancipation of the affects and the senses, at the heart of a theoretical vision that recognizes pleasure as the liberating force in the fight for freedom.