The Newcomes is Thackeray's most essentially 'Victorian' novel, generous in its proportions, sharp in its criticism of the moral convolutions of the age, and encyclopaedic in its reference. Set in the 1830s and 1840s, a period of rapid change and of political and economic development, the novel considers the fortunes and misfortunes of a 'most respectable' extended middle-class family. The action moves from London to Brighton, from England to France, from the political ambitions of an older generation in the industrial North to the painterly pretensions of a younger generation in Italy. At its centre is Thomas Newcome, a retired Colonel in the Indian Army who finds the snobberies and hypocrisies of early Victorian England disconcerting. In a world of men on the make, of social mobility, and of the buying and selling of women in an aristocratic marriage market, it is the Colonel's distinctive but old-fashioned gentlemanliness that stands out from a self-seeking society. The most observant and witty among Thackeray's studies of his culture, The Newcomes is also among his most complex and allusive novels, and this edition provides particularly detailed notes which clarify his many references.
This book was first published in 1929. The working woman was not, a Victorian institution. The word spinster disproves any upstart origin for the sisterhood of toil. Nor was she as a literary figure the discovery of Victorian witers in search of fresh material. Chaucer included unmemorable working women and Charlotte Bronte in 'Shirley' had Caroline Helstone a reflection that spinning 'kept her servants up very late'. It seems that the Victorians see the women worker as an object of oity, portrated in early nineteenth century as a victim of long hours, injustice and unfavourable conditions. This volume looks at the working woman in British industries and professions from 1832 to1850.
The Victorians worried about many things, prominent among their worries being the 'condition' of England and the 'question' of its women. Sex, Crime and Literature in Victorian England revisits these particular anxieties, concentrating more closely upon four 'crimes' which generated especial concern amongst contemporaries: adultery, bigamy, infanticide and prostitution. Each engaged questions of sexuality and its regulation, legal, moral and cultural, for which reason each attracted the considerable interest not just of lawyers and parliamentarians, but also novelists and poets and perhaps most importantly those who, in ever-larger numbers, liked to pass their leisure hours reading about sex and crime. Alongside statutes such as the 1857 Matrimonial Causes Act and the 1864 Contagious Diseases Act, Sex, Crime and Literature in Victorian England contemplates those texts which shaped Victorian attitudes towards England's 'condition' and the 'question' of its women: the novels of Dickens, Thackeray and Eliot, the works of sensationalists such as Ellen Wood and Mary Braddon, and the poetry of Gabriel and Christina Rossetti. Sex, Crime and Literature in Victorian England is a richly contextual commentary on a critical period in the evolution of modern legal and cultural attitudes to the relation of crime, sexuality and the family.
Author: Assistant Professor of English and Comparative Literature Nicholas Dames
Publisher: Oxford University Press on Demand
How did the Victorians read novels? Nicholas Dames answers that deceptively simple question by revealing a now-forgotten range of nineteenth-century theories of the novel, a range based in a study of human physiology during the act of reading, He demonstrates the ways in which the Victorians thought they read, and uncovers surprising responses to the question of what might have transpired in the minds and bodies of readers of Victorian fiction. His detailed studies of novelcritics who were also interested in neurological science, combined with readings of novels by Thackeray, Eliot, Meredith, and Gissing, propose a vision of the Victorian novel-reader as far from the quietly immersed being we now imagine - as instead a reader whose nervous system was addressed, attacked, andsoothed by authors newly aware of the neural operations of their public. Rich in unexpected intersections, from the British response to Wagnerian opera to the birth of speed-reading in the late nineteenth century, The Physiology of the Novel challenges our assumptions about what novel-reading once did, and still does, to the individual reader, and provides new answers to the question of how novels influenced a culture's way of reading, responding, and feeling.
Traces the lives of twenty-two immigrant teens throughout the course of a year at Denver's South High School who attended a specially created English Language Acquisition class and who were helped to adapt through strategic introductions to American culture.
She’s stirring things up… A big-city chef. A small-town single dad. And matchmakers with marriage in mind… Chef Kara Lockwood didn’t think changing a small-town diner’s menu would cause a boycott, but the locals sure do love their apple pie—especially fire chief Will MacKenzie. Kara’s not sure she and the single father can ever learn to live peacefully as neighbors. But even as they clash over pastries, local matchmakers and Will’s little boy are determined to bring their stubborn hearts together. From Love Inspired: Uplifting stories of faith, forgiveness and hope.
Welcome back to Thunder Point, a town in Oregon where the people look out for each other, and newcomers are welcome to make a fresh start. Book two in the bestselling series from Robyn Carr. Single dad and Thunder Point’s deputy sheriff “Mac” McCain has worked hard to keep his town safe and his daughter happy. Now he’s found his own happiness with Gina James. The longtime friends have always shared the challenges and rewards of raising their adolescent daughters. With an unexpected romance growing between them, they’re feeling like teenagers themselves—suddenly they can’t get enough of one another. And just when things are really taking off, their lives are suddenly thrown into chaos. When Mac’s long-lost ex-wife shows up in town, drama takes on a whole new meaning. Mac and Gina know they’re meant to be together, but can their newfound love withstand the pressure? With humor and insight, #1 New York Times bestselling author Robyn Carr explores letting go of the past—and finding something worth building a future on. Originally published in 2013