"I loved this book not just from the first chapter or the first page but from the first paragraph... The voice is just so honest and riveting and insightful about creativity and life." —Curtis Sittenfeld #ReadWithJenna Book Club Pick as Featured on Today Emma Roberts Belletrist Book Club Pick A New York Times Book Review’s Group Text Selection An extraordinary new novel of art, love, and ambition from Lily King, the New York Times bestselling author of Euphoria Following the breakout success of her critically acclaimed and award-winning novel Euphoria, Lily King returns with another instant New York Times bestseller: an unforgettable portrait of an artist as a young woman. Blindsided by her mother’s sudden death, and wrecked by a recent love affair, Casey Peabody has arrived in Massachusetts in the summer of 1997 without a plan. Her mail consists of wedding invitations and final notices from debt collectors. A former child golf prodigy, she now waits tables in Harvard Square and rents a tiny, moldy room at the side of a garage where she works on the novel she’s been writing for six years. At thirty-one, Casey is still clutching onto something nearly all her old friends have let go of: the determination to live a creative life. When she falls for two very different men at the same time, her world fractures even more. Casey’s fight to fulfill her creative ambitions and balance the conflicting demands of art and life is challenged in ways that push her to the brink. Writers & Lovers follows Casey—a smart and achingly vulnerable protagonist—in the last days of a long youth, a time when every element of her life comes to a crisis. Written with King’s trademark humor, heart, and intelligence, Writers & Lovers is a transfixing novel that explores the terrifying and exhilarating leap between the end of one phase of life and the beginning of another.
This is the first book-length study to reconstruct the experiences of the abandoned heroines of the Heroides, which have been largely ignored by past criticism. Dr Spentzou seeks ways to isolate, characterize, and release the female voice and experience within Ovid's male-authored text. Building on a wide range of ancient as well as modern images and reflections on gender and writing, the book attempts to map the relationship between gendered sensitivities and experience and generic expression and choices. Dr Spentzou uses the insight gained by the boom of intertextual studies in recent Latin scholarship to go a step further and address explicitly the ideologies of intertextual studies. This is a book about readers and reading, just as much as about women and gender, and it is also an in-depth study of the intricate and heated negotiations behind the interpretative act.
Love and Money argues that we can’t understand contemporary queer cultures without looking through the lens of social class. Resisting old divisions between culture and economy, identity and privilege, left and queer, recognition and redistribution, Love and Money offers supple approaches to capturing class experience and class form in and around queerness. Contrary to familiar dismissals, not every queer television or movie character is like Will Truman on Will and Grace—rich, white, healthy, professional, detached from politics, community, and sex. Through ethnographic encounters with readers and cultural producers and such texts as Boys Don’t Cry, Brokeback Mountain, By Hook or By Crook, and wedding announcements in the New York Times, Love and Money sees both queerness and class across a range of idioms and practices in everyday life. How, it asks, do readers of Dorothy Allison’s novels use her work to find a queer class voice? How do gender and race broker queer class fantasy? How do independent filmmakers cross back and forth between industry and queer sectors, changing both places as they go and challenging queer ideas about bad commerce and bad taste? With an eye to the nuances and harms of class difference in queerness and a wish to use culture to forge queer and class affinities, Love and Money returns class and its politics to the study of queer life.
Casey has ended up back in Massachusetts after a devastating love affair. Her mother has just died and she is knocked sideways by grief and loneliness, moving between the restaurant where she waitresses for the Harvard elite and the rented shed she calls home. Her one constant is the novel she has been writing for six years, but at thirty-one she is in debt and directionless, and feels too old to be that way - it's strange, not be the youngest kind of adult anymore. And then, one evening, she meets Silas. He is kind, handsome, interested. But only a few weeks later, Oscar walks into her restaurant, his two boys in tow. He is older, grieving the loss of his wife, and wrapped up in his own creativity. Suddenly Casey finds herself at the point of a love triangle, torn between two very different relationships that promise two very different futures.Lily King's Writers & Lovers follows Casey in the last days of a long youth, a time when everything - her family, her work, her relationships - comes to a crisis. Hugely moving and impossibly funny, it is a transfixing novel that explores the terrifying and exhilarating leap between the end of one phase of life and the beginning of another. It is a novel about love and creativity, and ultimately it captures the moment when a woman becomes an artist.
A guide where today’s best writers reveal their secrets. How do writers approach a new novel? Do they start with plot, character, or theme? A. S. Byatt starts with color. E. L. Doctorow begins with an image. In Off the Page, authors tell us how they work, giving insight into their writing process. Gathered from some of today’s best writers—Paul Auster, Martin Amis, Gish Jen, Dan Chaon, Alice McDermott, and many others interviewed on washingtonpost.com’s “Off the Page” series—host Carole Burns has woven their wisdom into chapters illuminating to any writer or reader. How does place influence authors? How do they make a sex scene work? How do they tell when the work is done? Walter Mosley defying genre; Shirley Hazzard on love; Michael Cunningham on compassion: these and more from Richard Ford, Jhumpa Lahiri, and Charles Baxter will deepen your appreciation for the art of writing and excite you to try new ways of writing yourself.
Publisher: Penguin Random House India Private Limited
Category: Biography & Autobiography
"An outstanding literary biography" AMITAV GHOSH "Mukul writes beautifully, and brings to life a man who has often been misunderstood" BENJAMIN MOSER "This book is a remarkable contribution to the world of Indian letters: ANNIE ZAIDI Sachchidanand Hirananda Vatsyayan 'Agyeya' is unarguably one of the most remarkable figures of Indian literature. From his revolutionary youth to acquiring the mantle of a (highly controversial) patron saint of Hindi literature, Agyeya's turbulent life also tells a history of the Hindi literary world and of a new nation-spanning as it does two world wars, Independence and Partition, and the building and fraying of the Nehruvian state. Akshaya Mukul's comprehensive and unflinching biography is a journey into Agyeya's public, private and secret lives. Based on never-seen-before archival material-including a mammoth trove of private papers, documents of the CIA-funded Congress for Cultural Freedom and colonial records of his years in jail-the book delves deep into the life of the nonconformist poet-novelist. Mukul reveals Agyeya's revolutionary life and bomb-making skills, his CIA connection, a secret lover, his intense relationship with a first cousin, the trajectory of his political positions, from following M.N. Roy to exploring issues dear to the Hindu right, and much more. Along the way, we get a rare peek into the factionalism and pettiness of the Hindi literary world of the twentieth century, and the wondrous and grand debates which characterized that milieu. Writer, Rebel, Soldier, Lover features a formidable cast of characters: from writers like Premchand, Phanishwarnath Renu, Raja Rao, Mulk Raj Anand and Josephine Miles to Prime Minister Jawaharlal Nehru, revolutionary Chandra Shekhar Azad and actor Balraj Sahni. And its landscapes stretch from British jails, an intellectually robust Allahabad and modern-day Delhi to monasteries in Europe, the homes of Agyeya's friends in the Himalayas and universities in the US. This book is a magnificent examination of Agyeya's civilizational enterprise. Ambitious and scholarly, Writer, Rebel, Soldier, Lover is also an unputdownable, whirlwind of a read.
'Writers on... Love' is a wonderful collection of romantic quotes, love poems and love letters – from the world's greatest authors. It includes extracts, from secret letters to romance stories and famous love sayings, and contains some of history's most enduring meditations on the subject. Vacillating between all-consuming passions and rational, cynical, even comical analyses, this collection offers an intriguing overview of that most human of emotions - Love. The 'Writers on…' series is a collection of extracts, anecdotes and occasional philosophical musings from the world's most well known authors. This book of quotes, inspirational poems, letters, and quips, celebrates writers who have an individual, creative outlook on the world; on subjects from 'drink' to 'death', and 'love' to 'libraries'. Starting with ancient civilisations and moving towards the present day, this anthology of intellectual, inspirational and often funny quotes, provides a fascinating insight into a vast array of topics.
Gay and lesbian themes in Latin American literature have been largely ignored. This reference fills this gap by providing more than a hundred alphabetically arranged entries for Latin American authors who have treated gay or lesbian material in their works. Each entry explores the significance of gay and lesbian themes in a particular author's writings and closes with a bibliography of primary and secondary sources. The figures included have a professed gay identity, or have written on gay or lesbian themes in either a positive or negative way, or have authored works in which a gay sensibility can be identified. The volume pays particular attention to the difficulty of ascribing North American critical perspectives to Latin American authors, and studies these authors within the larger context of Latin American culture. The book includes entries for men and women, and for authors from Latin American countries as well as Latino writers from the United States. The entries are written by roughly 60 expert contributors from Latin America, the U.S., and Europe.
“Recently, after I had finished reading and checking this manuscript, I picked out several chapters at random, and read them again, and found myself laughing out loud. I hope my readers also find things to laugh about in this ‘tell it like it was’ memoir of my life.” — Beth Day Romulo “In co-writing her story, what strikes me most is her resilient journey from crushing heartbreak at a very young age to a purposeful life full of international travel, romance, and adventure.” — David F. Hyatt
Legacies of Departed African Writers analyzes and celebrates the resounding contributions of ten deceased African female writers of contemporary African literature and feminist scholarship, examining the ideologies, thematic concerns, and stylistic devices which constitute the fabrics of the legacies left by these iconic pacesetters.
Although it has long been commonplace to imagine the archetypal American poet singing a solitary "Song of Myself," much of the most enduring American poetry has actually been preoccupied with the drama of friendship. In this lucid and absorbing study, Andrew Epstein argues that an obsession with both the pleasures and problems of friendship erupts in the "New American Poetry" that emerges after the Second World War. By focusing on some of the most significant postmodernist American poets--the "New York School" poets John Ashbery, Frank O'Hara, and their close contemporary Amiri Baraka--Beautiful Enemies reveals a fundamental paradox at the heart of postwar American poetry and culture: the avant-garde's commitment to individualism and nonconformity runs directly counter to its own valorization of community and collaboration. In fact, Epstein demonstrates that the clash between friendship and nonconformity complicates the legendary alliances forged by postwar poets, becomes a predominant theme in the poetry they created, and leaves contemporary writers with a complicated legacy to negotiate. Rather than simply celebrating friendship and poetic community as nurturing and inspiring, these poets represent friendship as a kind of exhilarating, maddening contradiction, a site of attraction and repulsion, affinity and rivalry. Challenging both the reductive critiques of American individualism and the idealized, heavily biographical celebrations of literary camaraderie one finds in much critical discussion, this book provides a new interpretation of the peculiar dynamics of American avant-garde poetic communities and the role of the individual within them. By situating his extensive and revealing readings of these highly influential poets against the backdrop of Cold War cultural politics and within the context of American pragmatist thought, Epstein uncovers the collision between radical self-reliance and the siren call of the interpersonal at the core of postwar American poetry.
Here I sit on top of my world, not a broken, pathetic girl crying over some whatever, or a man who lost his temper, saying cruel things to hurt, or worse - to see myself as something less ... Brigitte Narcise has lived a rich life full of experiences, lessons, joys, and heartache, yet refuses to take herself too seriously. Now within her first collection of alternative free verse inspired by Rumi, Edgar Allan Poe, and even Dr. Seuss, Narcise lyrically reflects on her vast experiences and insights inspired by her own reawakening. Narcise explores a variety of themes while sharing diverse verse—some full of unexpected rhymes and wordplay, and others that are deeper and more complex—that poetically express her experiences as a lover, fighter, and writer through love notes from the universe, the human experience, and life’s many-faceted transitions. Lover, Fighter, Writer is a collection of poems that reveals a glimpse into a warrior’s reawakening as she learns, loves, and transforms into all she is meant to be.